Falling Apart is a Delicate Art

I’ve lost a lot of people over the years, but over the last couple of weeks I’ve been contending with a loss I haven’t experienced since I was a child—that of losing someone who is dying.

Much of my healing since leaving the cult has been centered on learning how to grieve, but I’m finding that the grief of death is an entirely different matter from the griefs I’ve experienced before. Rather than the emotional turmoil being spaced out over years as my subconscious gently guides me from layer to layer, they’re all there at the same time with an intensity that is nothing short of breath-taking.

There are days when I’m okay–when the routine of life makes me feel like I’m practically normal. I laugh, catching myself off guard. I get excited about my upcoming school year, work on crafts, and enjoy being with friends and chosen family while the pain of my heart recedes into the background for a time. I welcome those days because they help me get through the others, the days when I’m not okay–when I cry and rage and hide in bed, watching Netflix until I can’t feel anymore.

On some levels, I feel as though I have been building up to this moment, that the purpose of my life has been to learn how to grieve increasingly devastating losses.

Society tells me to buck up, hide my tears when I go into the grocery store, and tell people “I’m fine” when they ask. “Be strong,” they say. “Keep it together.”

Society is not comfortable with grief.

But I know better. I know by now that shoving down the sadness doesn’t make it go away. I know that putting on a brave face only helps to isolate me in my sadness and that trying to escape from the intensity of my emotions creates a recipe for crippling depression and stagnation.

So I surround myself with those who can tolerate tears. I allow myself to be utterly shattered. I am not interested in looking functioning right now. To what purpose? Because I think that others might be uncomfortable with the snot dripping down my nose and my red, swollen eyes? My grief is not about them.

Being shattered doesn’t mean I stop living. I am intentionally living each moment of this process, allowing myself to feel it in every corner of my heart.

“Grief is about letting yourself be destroyed,” my therapist tells me.

Her words offer the relief of permission, but I know there is a truth even deeper than that. I will be destroyed whether I wish to allow it or not, but surrendering to the destruction allows it to be a gentle annihilation. Over the last year with my physical therapy, I’ve learned that when there is pain, the best response is to release into it. Surrender removes the edge of resistance, allowing the pain to ebb and flow naturally.

When people tell me to “be strong,” I want to tell them that I am strong. Crying and “falling apart” aren’t signs of weakness. It takes strength to allow myself to be consumed and know that I will resurrect in the end. I am strong enough to feel the devastation of love.

 

 

The Point of No Return: When Survival and Freedom Are At Odds

Spoiler Alert: The Awakening and Crewel
Trigger alert: suicide

I finished reading The Awakening for the first time about four weeks ago. I think when I started it, I was expecting feminist erotica—titillating, empowered romance.

While it was certainly titillating and empowering in its own metaphoric way (I don’t think I’ve ever read more vague yet obvious references to a sexual awakening without there even being a kiss in the first three-quarters of the book), what I found was that it was less about sex and more about autonomy. I’ll admit, I wasn’t expecting the suicide at the end. And part of me wanted desperately to cry and to see in her death the tragedy of a life lost . . .

But I couldn’t.

All I could see was the freedom that she had found—both the freedom of life and the freedom of death.

It was the same feeling I got at the end of “Thelma and Louise,” when I wanted to scream as much from horror as from joy.

“Something’s, like, crossed over in me and I can’t go back, I mean I just couldn’t live.”

I know that feeling oh so well. I don’t often talk about my views of suicide because they tend to be hugely unpopular. I’m not even sure I’m prepared to get into all the nuances of my thinking here. Suicide is a deep topic, complex no matter how you approach is. But suffice it to say that I don’t always see suicide as a tragedy, as weakness, or as giving up.

Sometimes it can be exquisite. Sometimes it can be noble. Sometimes it can be a victory.

I can picture the reactions of some who are reading this, the horror and disgust they feel at my words. I’m sure some are going to accuse me of saying various things that I haven’t said. Others may attack me out of their own pain. And that’s okay. Those who don’t want to hear what I’m trying to say won’t be able to hear what I’m saying. I know they don’t understand—they can’t understand. And I accept them where they are.

But for some, their hearts are whispering, “I know what you mean.” They, like me, have experienced what Edna experienced and what Thelma and Louise experienced—even what the unnamed character in the Yellow Wallpaper experienced (although she didn’t technically die).

People can live a long time in a stifling environment, whether it be an abusive relationship, a totalitarian regime, a controlling community, or a hateful culture. The ability of the human spirit to adapt to such stressors and even rise above them is well-known and inspiring.

But I’m not here to talk about the endurance of the soul.

I’m here to talk about when the soul is no longer satisfied with merely existing.

For some, there comes a moment when they get a taste of hope and freedom, and they know they can never go back. That moment when they know that conformity doesn’t cut it, that treading water isn’t worth it, and that anything is better than what they have. That moment when the soul whispers, “Give me liberty, or give me death.”

It’s a brilliant moment and a beautiful one!

It’s the point of no return.

To the rest of the world Edna, Thelma, and Louise may look like horrible, senseless tragedies, but those women understood what it meant to value their identity, autonomy, and freedom more than anything else.

Once you have that kind of awakening, it’s irrevocable.

I can remember the moment that I realized I couldn’t stay in the IFB. I’d been suicidal for most of high school, but I always felt ashamed of my desire to die. Then one day I knew that if I couldn’t get out, I would kill myself—and I would do it with relish–because it was far worse to be trapped in that life.

It was my point of no return, and I still think suicide would have been a victory for me if there were no other options.

But this post isn’t just about death . . . or well, it kind of is, but not the kind that we think of. In Tarot, the Death card is a special card. It rarely signifies a physical death. Rather it serves as a symbol for a transition that is so complete that it feels like you are dying in the process.

From the Traditional Rider-Waite illustrations.

I think in our society’s fear of death, we’ve lost the ability to see it as a symbol. The point of no return is as much about the death of inhibition and the death of your old identity, relational ties, security, and place in society as it is about the willingness to die physically.

And that’s where I find Edna, Thelma, and Louise become symbols for an entirely different action—embracing the unknown. Hurdling off a cliff, surrendering to the vast, endless ocean—choosing to let go of everything you’ve known in order to pursue freedom and autonomy.

I was finishing Crewel around the same time that I was finishing The Awakening. Two books with vastly different plots and vastly different endings, but they felt like they were mirroring each other in a way that not even an English professor could orchestrate. The day after I cried my happy tears as Edna gave herself over to the pull of the tide, I was reading about Adelice ripping open the fabric of her society and contemplating her chances of escaping into the void beyond.

And I saw myself staring into the blackness of leaving my religion.

The point of no return is terrifying, but enlivening. You don’t know whether you’re going to be annihilated or break through to a new world, but in that moment of leaping, it doesn’t even matter.

Technically, we don’t know for sure whether Edna dies at the end of The Awakening. It’s implied that she cannot live, but the moment of death is never actually shown—because it’s the surrender that is the most important part, that moment when she decides she’s not going back. In Crewel however, we do see what happens after the point of no return. Adelice pitches herself over the edge, admitting that the fall could have potentially gone on forever, but nevertheless reaches out in faith, breaking through the unendurable illusion of her former life into an unknown, uncontrollable, but totally authentic world of her own choosing.

“What’s worth doing even if you fail?” Brene Brown asks in her new book Daring Greatly. I know that sacrificing my life for my freedom and autonomy was worth it . . . and that no matter how it ended, I couldn’t fail because I was claiming my freedom.

As Jesus once asked, “What do you benefit if you gain the whole world but lose your own soul?” In the IFB, I was taught that question was pointing to the waste of worldly possessions in relation to salvation. Now, however, I see it differently. What is the point of surviving–what is the point of safety–if your sense of self and freedom are the price? The point of no return isn’t about death; it’s about freedom being more important than survival.