The Point of No Return: When Survival and Freedom Are At Odds

Spoiler Alert: The Awakening and Crewel
Trigger alert: suicide

I finished reading The Awakening for the first time about four weeks ago. I think when I started it, I was expecting feminist erotica—titillating, empowered romance.

While it was certainly titillating and empowering in its own metaphoric way (I don’t think I’ve ever read more vague yet obvious references to a sexual awakening without there even being a kiss in the first three-quarters of the book), what I found was that it was less about sex and more about autonomy. I’ll admit, I wasn’t expecting the suicide at the end. And part of me wanted desperately to cry and to see in her death the tragedy of a life lost . . .

But I couldn’t.

All I could see was the freedom that she had found—both the freedom of life and the freedom of death.

It was the same feeling I got at the end of “Thelma and Louise,” when I wanted to scream as much from horror as from joy.

"Something's, like, crossed over in me and I can't go back, I mean I just couldn't live."

“Something’s, like, crossed over in me and I can’t go back, I mean I just couldn’t live.”

I know that feeling oh so well. I don’t often talk about my views of suicide because they tend to be hugely unpopular. I’m not even sure I’m prepared to get into all the nuances of my thinking here. Suicide is a deep topic, complex no matter how you approach is. But suffice it to say that I don’t always see suicide as a tragedy, as weakness, or as giving up.

Sometimes it can be exquisite. Sometimes it can be noble. Sometimes it can be a victory.

I can picture the reactions of some who are reading this, the horror and disgust they feel at my words. I’m sure some are going to accuse me of saying various things that I haven’t said. Others may attack me out of their own pain. And that’s okay. Those who don’t want to hear what I’m trying to say won’t be able to hear what I’m saying. I know they don’t understand—they can’t understand. And I accept them where they are.

But for some, their hearts are whispering, “I know what you mean.” They, like me, have experienced what Edna experienced and what Thelma and Louise experienced—even what the unnamed character in the Yellow Wallpaper experienced (although she didn’t technically die).

People can live a long time in a stifling environment, whether it be an abusive relationship, a totalitarian regime, a controlling community, or a hateful culture. The ability of the human spirit to adapt to such stressors and even rise above them is well-known and inspiring.

But I’m not here to talk about the endurance of the soul.

I’m here to talk about when the soul is no longer satisfied with merely existing.

For some, there comes a moment when they get a taste of hope and freedom, and they know they can never go back. That moment when they know that conformity doesn’t cut it, that treading water isn’t worth it, and that anything is better than what they have. That moment when the soul whispers, “Give me liberty, or give me death.”

It’s a brilliant moment and a beautiful one!

It’s the point of no return.

To the rest of the world Edna, Thelma, and Louise may look like horrible, senseless tragedies, but those women understood what it meant to value their identity, autonomy, and freedom more than anything else.

Once you have that kind of awakening, it’s irrevocable.

I can remember the moment that I realized I couldn’t stay in the IFB. I’d been suicidal for most of high school, but I always felt ashamed of my desire to die. Then one day I knew that if I couldn’t get out, I would kill myself—and I would do it with relish–because it was far worse to be trapped in that life.

It was my point of no return, and I still think suicide would have been a victory for me if there were no other options.

But this post isn’t just about death . . . or well, it kind of is, but not the kind that we think of. In Tarot, the Death card is a special card. It rarely signifies a physical death. Rather it serves as a symbol for a transition that is so complete that it feels like you are dying in the process.

From the Traditional Rider-Waite illustrations.

From the Traditional Rider-Waite illustrations.

I think in our society’s fear of death, we’ve lost the ability to see it as a symbol. The point of no return is as much about the death of inhibition and the death of your old identity, relational ties, security, and place in society as it is about the willingness to die physically.

And that’s where I find Edna, Thelma, and Louise become symbols for an entirely different action—embracing the unknown. Hurdling off a cliff, surrendering to the vast, endless ocean—choosing to let go of everything you’ve known in order to pursue freedom and autonomy.

I was finishing Crewel around the same time that I was finishing The Awakening. Two books with vastly different plots and vastly different endings, but they felt like they were mirroring each other in a way that not even an English professor could orchestrate. The day after I cried my happy tears as Edna gave herself over to the pull of the tide, I was reading about Adelice ripping open the fabric of her society and contemplating her chances of escaping into the void beyond.

And I saw myself staring into the blackness of leaving my religion.

The point of no return is terrifying, but enlivening. You don’t know whether you’re going to be annihilated or break through to a new world, but in that moment of leaping, it doesn’t even matter.

Technically, we don’t know for sure whether Edna dies at the end of The Awakening. It’s implied that she cannot live, but the moment of death is never actually shown—because it’s the surrender that is the most important part, that moment when she decides she’s not going back. In Crewel however, we do see what happens after the point of no return. Adelice pitches herself over the edge, admitting that the fall could have potentially gone on forever, but nevertheless reaches out in faith, breaking through the unendurable illusion of her former life into an unknown, uncontrollable, but totally authentic world of her own choosing.

“What’s worth doing even if you fail?” Brene Brown asks in her new book Daring Greatly. I know that sacrificing my life for my freedom and autonomy was worth it . . . and that no matter how it ended, I couldn’t fail because I was claiming my freedom.

As Jesus once asked, “What do you benefit if you gain the whole world but lose your own soul?” In the IFB, I was taught that question was pointing to the waste of worldly possessions in relation to salvation. Now, however, I see it differently. What is the point of surviving–what is the point of safety–if your sense of self and freedom are the price? The point of no return isn’t about death; it’s about freedom being more important than survival.

Transformative Magic: Embracing my Dark Side

In a previous post, I gave a sneak peak into some of the things I would talk about, including one on how “negative emotions are good.” I’ve had requests from several people for more on that, so I thought now, with the approach of Samhain, would be a good time to approach this topic.

We live in a culture where certain emotions are viewed anywhere from simply “negative” to downright “wrong” or “sinful.” No matter where you go, the general consensus is that these emotions need to be resisted, “released” (one of my favorites of the coercive terms because it sounds so innocent. Right up there with “forgive” or “just get over it”), or not even felt if you’re a “good person.” The taboo on emotions is especially strong surrounding sadness for men and anger for women, but it’s pretty safe to say that, in general, “negative emotions” just aren’t considered good or healthy to experience.

But what if we have it all wrong?

A little fairy once told me, “Changing your perspective gives you the power to change your world.” And as many pagans and witches know, the highest magic comes not with transforming the world around you but with transforming your thoughts.

So let’s try some transformative magic.

It’s easy to recognize how a world of continuous darkness would be bad. Life would die because life cannot function without light. It’s easy to see how a world of continuous rainfall would be bad. I’ve seen the floods and destruction that come with a few too many days of rain. But I rarely question the destruction that would surely follow a world that was always sunny. There are times where there is too much sun; it’s called a drought. But I never think about droughts when thinking about excesses of something!

Growing up, I remember hearing preachers disdain the philosophy that “life’s purpose is happiness.” In their minds, such a wasted life was a life spent pursuing happiness. And as much as I would disagree with the reasons for that statement, I find that I actually agree with the statement itself.

Pursuing happiness is a pursuit doomed to failure.

Does that mean I don’t have the right to be happy? Should I be miserable, as those preachers seemed to want?

No, I think I have every right, even a destiny, to be happy! But I am coming to see life’s purpose as wholeness, not happiness. And there’s a big difference. While wholeness certainly involves happiness, it also involves the ability to feel sadness. While wholeness involves peace, it also involves the ability to feel anger or fear.

They’ve been labeled “negative emotions.” They’re portrayed as something I shouldn’t have, something to avoid, something I must drive out when I feel them. But imagine if you could not feel sadness or anger or fear? I’ve thought of these emotions as out of place, but that’s only because I didn’t recognize their purpose. Something would be terribly wrong with me if I could not feel anger when I saw a child abused. Something would be terribly wrong with me if I could not feel fear when I got too close to danger. Something would be terribly wrong with me if I could not feel sadness when I lost a loved one, or guilt when I hurt someone.

Without them, I would die just as surely as I would die without hope or joy or courage.

A tree requires both sunlight and darkness. Its branches reach for the sky while its roots tunnel into the ground. If the roots are not cared for or fed, if they’re cut off, the top of the tree will quickly die as well. In the same way, I have a shadow side, a side that is buried away from view, that isn’t fun to look at, that doesn’t feel good, that has the potential to make others and myself uncomfortable. But if I don’t embrace that side of myself and accept it as part of myself, I doom it to rot and fester until it destroys that bright side of me too.

Wholeness isn’t about cutting myself off from the shadow side of life. It’s about recognizing the purpose for that shadow side—the purpose for those emotions and experiences—and melding it together with the light side into a single whole. I have so much duality in me. I have light and darkness, reason and intuition, “femininity” and “masculinity”. Heck, my life card is the Sun and my Spirit card is Death. You can’t get much more dual than that. And the amazing thing is, each side, each facet, has a freaking purpose! They all work together to create me! And just as I’ve given up so many other things with fundamentalism, I’ve also given up the idea that there is anything inherently in me that is wrong.

Which means my emotions, by themselves, can’t be wrong.

None of them.

So what is it that makes these shadow emotions seem “bad”? Outside of a general inability to tolerate discomfort and do messy soul work, I think we’ve mistaken the emotions themselves for specific scripts surrounding them. It’s a kind of confirmation bias. When we think of anger, we think of when someone became violent in their anger. We don’t remember the times that anger was constructive or creative or protective. Once you get to the point where you associate the emotion itself with the negative behavior, then you get so busy fighting the emotion that there’s no chance to fight the script that you’ve adopted about it.

As part of my spiritual practice, I’m learning to become comfortable with my dark side. I’m throwing away the scripts I’ve been taught and searching for a new, transformative perspective about the shadow emotions. I’ve come to appreciate this time of year, when the Goddess traditionally takes a journey down into the underworld for a few months until spring, because it reminds me that I also need underworld journeys, as tough as they are. It’s not easy to sit with an emotion. It’s much easier to go back to my scripts. But sitting in discomfort is essential to my emotional transformation as much as it is to my spiritual transformation. The ability to sit with uncertainty and discomfort is, I think, one of the key aspects to true freedom.

And as I take this journey, I smile to myself because I recognize what I never could have from within Christiantiy—that Jesus, too, got angry, felt grief and despair, and considered bailing out from fear.